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The Tamil film industry is the filmmaking industry of the Indian state of Tamil Nadu. It is based in the Kodambakkam district of Chennai, India where several Tamil language feature films are largely produced. It is also colloquially known as Kollywood (Tamil: கோலிவுட் kōlivūṭ), a portmanteau of the words Kodambakkam and Hollywood.

Silent movies were produced in Kollywood since 1916 and the era of talkies dawned in 1931. By the end of the 1930s, the industry was booming to the extent that the State of Madras legislature passed the pioneering Entertainment Tax Act 1939 with little opposition. Today, Tamil films made in Kodambakkam are distributed to various theatres around the world, hence, the industry serves as one of India's most successful regional cinemas.

Tamil films are also produced in several regions outside of India, such as Sri Lanka or other significant Tamil diasporal regions, which do not apply to Kollywood.

Contents

Distribution and popularity

See also: List of Tamil-language films and List of top Tamil-language films

Tamil films are known to be the most popular Indian films, along with Bollywood films, due to their large distribution internationally to the numerous Tamil diasporal regions. They have one of the widest overseas distribution along with Telugu and Hindi films. They have enjoyed consistent popularity among Tamil speakers in India, Sri Lanka, Singapore and Malaysia. Tamil films have recently become popular in Japan (Rajinikanth's Muthu, for example, screened for a record period), South Africa, Canada, the United Kingdom and the United States. Sivaji: The Boss had been touted as a record-breaking film for its high-budget, large opening, and reception worldwide. It also cracked into the United Kingdom's top-ten high-grossing films during the week of its release. Ayngaran International distributes a majority of Tamil films overseas while domestic distributors such as Aascar Films, Pyramid Saimira, and Madras Talkies handle distribution within India. The Kamal Haasan starrer Dasavathaaram was distributed by Walt Disney Pictures in Canada.

Many Tamil-language films have premiered or have been selected as special presentations at various prestigious film festivals across the world, such as Kannathil Muthamittal, Veyyil and Paruthiveeran. More recently, Kanchivaram, directed by Priyadarshan, has been selected to be premiered at the Toronto International Film Festival. Films like Thevar Magan, Indian and Jeans had been selected by India for Best Foreign Language Film for the Academy Awards.

Tamil films enjoy significant patronage in neighbouring Indian states like Kerala, Karnataka and Andhra Pradesh. In Kerala and Karnataka the films are directly released in Tamil but in Andhra Pradesh they are generally dubbed into Telugu. There is a fair amount of dispersion amongst the Indian film industries. Many successful Tamil films have been remade by the Hindi and Telugu film industries. Kollywood has also remade a fair number of Hindi-, Telugu-, Malayalam-, and other-language films. It is estimated by the Manorama Yearbook 2000 (a popular almanac) that over 5,000 Tamil films were produced in the 20th century. Tamil films have also been dubbed into other languages, thus reaching a much wider audience. Examples of those dubbed into Hindi include such hits as Minsaara Kanavu, Roja and Bombay. Anniyan, directed by S. Shankar, became the second Indian film to be dubbed into French.

There has been a growing presence of English in dialogue and songs as well. It is not uncommon to see movies that feature dialogue studded with English words and phrases, or even whole sentences. Some movies are also simultaneously made in two or three languages (either using subtitles or several soundtracks). Quite often, Tamil movies feature Madras Tamil, a colloquial version of Tamil spoken in Chennai. Madras being the old name of Chennai.

History

A visiting European exhibitor first screened (date unknown) a selection of silent short films at the Victoria Public Hall in Madras. The films all featured non-fictional subjects; they were mostly photographed records of day-to-day events.

Early exhibitors

In Madras (now known as Chennai), the Electric Theatre was established for the screening of silent films. It was a favourite haunt of the British community in Madras.The theatre was shut down after a few years. This building is now part of a post office complex in Anna Salai. The Lyric Theatre was also built in the Mount Road area (now Anna Salai). This venue boasted a variety of events, including plays in English, Western classical music concerts, and ballroom dances. Silent films were also screened as an additional attraction. Samikannu Vincent, an employee of the South Indian Railways in Trichy, purchased a film projector and silent films from the Frenchman Du Pont and set up a business as film exhibitor. He erected tents for screening films. His tent cinema became popular and he travelled all over the state with his mobile unit. In later years, he produced talkies and also built a cinema in Coimbatore.

To celebrate the event of King George V's visit in 1909, a grand exhibition was organised in Madras. Its major attraction was the screening of short films accompanied by sound. A British company imported a Crone megaphone, made up of a film projector to which a gramophone with a disc containing prerecorded sound was linked, and both were run in unison, producing picture and sound simultaneously. However, there was no synched dialogue. Raghupathy Venkiah Naidu, a successful photographer, took over the equipment after the exhibition and set up a tent cinema near the Madras High Court. R. Venkiah, flush with funds, built in 1912 a permanent cinema in the Mount Road area named Gaiety. It was the first in Madras to screen films on a full-time basis. This theatre is still functioning, although under different ownership.

In tent cinemas, there were usually three classes of tickets: the floor, bench and, chair. The floor-ticket purchaser sat on sand to watch the movie, but he enjoyed certain advantages that other patrons did not. He could sit as he pleased, or he could turn over and take a short nap when the narrative was particularly dull and roll back again when the action was again to his liking—luxuries in which the upper class could never indulge.

Film studios

During the 1920s, silent Tamil-language movies were shot at makeshift locations in and around Chennai, and for technical processing, they were sent to Pune or Calcutta. Later some movies featuring MKT were shot in Pune and Calcutta. In the 1930s AVM set up its makeshift studio in the town of Karaikudi, and during the same decade, full-fledged Movie studios were built in Salem (Modern Theatres Studio) and Coimbatore (Central Studios, Neptune, and Pakshiraja). By the mid 1940s, Chennai became the hub of Studio activity with two more movie Studios built in Chennai, Vijaya Vauhini Studios and Gemini Studios. Later, AVM Studios shifted its operations to Chennai. Thus, with the undivided Madras Presidency being the Capital to most of South India, Chennai became the center for Tamil- and notable Telugu-language movies. Also, most of the pre-independence era drama and stage actors joined the movie industry from the 1940s, and Chennai became the hub for South Indian-Language Cinema.

Superstars

Further information: List of Tamil film actors

Initially, Kollywood was dominated by M. K. Thyagaraja Bagavadhar and P. U. Chinnappa during the 1930s and 1940's. Later, in the 1950s till late 1970s, the two highly anticipated Tamil film stars were M. G. Ramachandran and Sivaji Ganesan, and from the 1980s till now are Rajinikanth and Kamal Hassan. By the 1990s there were many stars in the industry. However, Rajinikanth and Kamal Hassan still dominated the decade and brought Kollywood to a new level. The former starred quality films under his production while the latter raised the bar in commercial and family entertainers and became the highest paid actor in the India.

During the 90s, the present generation of young superstars, Joseph Vijay and Ajith Kumar, had debuted. Today along with veterans Kamal Hassan and Rajnikanth, actors Joseph Vijay, Surya Sivakumar, Vikram and Ajith Kumar are prominent leading stars who guarantee a good box office opening and appear in most high-budget feature films. These stars have exclusive fanclubs that often resort to passionate display of support. Distributors of films of the stars are able to arrange financing of film-in-progress from banks and exhibitors without much difficulty.

The Tamil film industry has a long intertwining link with creating future politicians. The first non congress Chief minister C. N. Annadurai and the current chief minister M. Karunanidhi wrote cine scripts. Long time Tamil Nadu Chief Minister M. G. Ramachandran (MGR) was a well known actor in Kollywood. The current opposition leader J. Jayalalithaa was also a popular actress. Moreover many in the field are currently in houses of parliament or assembly, while future aspirants are ready to take wing. Some of these actors like Rajinikanth, are politically influential due to their loyal fan bases.citation needed

Union associations

The industry includes several groups who organize their own events based on different issues of major concern. Rather than forming separate and distinct groups, each association occasionally collaborate for certain events. These associations are based on profession in the industry, such as a directors' association or producers' association.

The most notable association is the South Indian Film Artistes' Association which is a group of all prominent Tamil film actors. Formed in 1952 under the leadership of actor Sivaji Ganesancitation needed, the association has continued to conduct several protests and hunger strikes for certain political and humanitarian issues, in efforts to make positive changes in the Indian and Tamil society. The current president of the association is the actor-turned-politician R. Sarath Kumar.

Other associations include the Association of Tamil Film Directors which is headed by director Barathiraja and the Tamil Film Producers' Council who often meet to make cinema-related decisions. More general associations include the well known FEFSI (Film Employees' Federation of South India) which is headed by FEFSI Vijayan, a popular film stunt choreographer.

Industrial trends

Average annual film output in Tamil film industry has risen steadily in the 20th century.

Year Averages
1930s 22.5 releases per year
1940s 22.1 releases per year
1950s 32.6 releases per year
1960s 43.0 releases per year
1970s 62.5 releases per year
1980s 104.6 releases per year
1990s 101.2 releases per year

In the year 2007 a record 105 movies were released.1 For the purpose of entertainment taxes, returns have to be filed by the exhibitors weekly (usually each Tuesday). [1] The Tamil film industry accounts for approximately 1% of the gross domestic product of the state of Tamil Nadu. Costs of production have grown exponentially from just under Rs.40 lakhs in 1980 to over Rs.11 crores by 2005 for a typical star-studded big-budget film. Similarly, costs of processing per print have risen from just under Rs.2,500 in 1980 to nearly Rs.70,000 by 2005. Interestingly, The Tamil Nadu government has made provisions for an entertainment tax exemption for Tamil movies having pure Tamil word(s) in the title. This is in accordance with Government Order 72 passed on 22 July 2006. The first film to be released after the new Order was Unakkum Enakkum. The original title had been Something Something Unakkum Ennakkum, a half-English and a half-Tamil title.

Domestic exhibitors

There are about 1800 cinema-halls located in Tamil Nadu2,Salem city has the maximum number of theatres in Tamil nadu,nearly 80 of them located in Chennai.3. Below is a list of the most prominent exhibitors in the box office.

Show rentals range from Rs.700 in C-centres to as much as Rs.7,000 in A-centres for an average 700-seat screen. Unlike Hollywood, superstardom is deeply ingrained into Kollywood economics, so distributors are prepared to not only finance the films of super stars with proven track records but are also, in turn, able to secure minimum guarantees for those films from exhibitors. Rise of multiplexes in the late 1990s has stunted the growth of large screens.

Theatre Seats Location
Sathyamcomplex total of 2,380 Chennai
ARRS multiplex 2200 Salem
Reliance adlabs 2000 Salem
KG complex 2000 Coimbatore
Albert 1,225 Chennai
Devi 1,212 Chennai
Melody 998 Chennai
Abirami 927 Chennai
Kasi 917 Chennai
Central 900 Coimbatore
Maruti 900 Coimbatore
Sangam 877 Chennai
Maharani 733 Chennai
Udhayam 700 Chennai
Royal 650 Coimbatore
Santham 567 Chennai
Padmam 540 Chennai
Suriyan 480 Chennai
Devi Bala 369 Chennai
Subham 306 Chennai
Mayajaal 3000+ Chennai
Inox 909 Chennai
Abirami 1500 Erode
Sonamena 1200 Trichy
Kalaiarangam 1500 Trichy

See also

References

External links

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